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	<title>the nice modernist &#187; Art</title>
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	<link>http://nicemodernist.com</link>
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		<title>On the Meaning of the Comic</title>
		<link>http://nicemodernist.com/2010/03/on_the_meaning_of_the_comic/</link>
		<comments>http://nicemodernist.com/2010/03/on_the_meaning_of_the_comic/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 11:12:55 +0000</pubDate>
		<dc:creator>nicemod</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://nicemodernist.com/?p=84</guid>
		<description><![CDATA[<p>“[Comedy cannot] produce its disturbing effect unless it fell, so to say, on the surface of the soul that is thoroughly calm and unruffled. Indifference is its natural environment, for laughter has no greater foe than emotion.” Yet it “does not exist outside the pale of what is strictly human. A landscape may be beautiful, charming and sublime, or insignificant and ugly; it will never be laughable.“<sup>I</sup> — Henri Bergson, via Sally O’Reilly, ‘<a href="http://www.frieze.com/issue/article/things_fall_apart">Things Fall Apart</a>,’ Frieze Magazine.</p>
<ol class="footnotes"><li id="footnote_0_84" class="footnote">Henri Bergson, ‘Laughter: An Essay on the Meaning of the Comic’, 1899; repr. Macmillan &#38; Co., London, 1935, pp. 3–21</li></ol>]]></description>
			<content:encoded><![CDATA[<p>“[Comedy cannot] produce its disturbing effect unless it fell, so to say, on the surface of the soul that is thoroughly calm and unruffled. Indifference is its natural environment, for laughter has no greater foe than emotion.” Yet it “does not exist outside the pale of what is strictly human. A landscape may be beautiful, charming and sublime, or insignificant and ugly; it will never be laughable.“<sup>I</sup> — Henri Bergson, via Sally O’Reilly, ‘<a href="http://www.frieze.com/issue/article/things_fall_apart">Things Fall Apart</a>,’ Frieze Magazine.</p>
<ol class="footnotes"><li id="footnote_0_84" class="footnote">Henri Bergson, ‘Laughter: An Essay on the Meaning of the Comic’, 1899; repr. Macmillan &amp; Co., London, 1935, pp. 3–21</li></ol>]]></content:encoded>
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		<item>
		<title>The Small Stakes</title>
		<link>http://nicemodernist.com/2009/04/the-small-stakes/</link>
		<comments>http://nicemodernist.com/2009/04/the-small-stakes/#comments</comments>
		<pubDate>Wed, 22 Apr 2009 18:47:21 +0000</pubDate>
		<dc:creator>nicemod</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Print]]></category>

		<guid isPermaLink="false">http://nicemodernist.com/?p=50</guid>
		<description><![CDATA[<p><img style="border: 1px solid; color: grey;" src="http://farm4.static.flickr.com/3578/3465380119_67501c6bb3_o.jpg" alt="" width="432" height="324" /></p>
<p><img style="border: 1px solid; color: grey;" src="http://farm4.static.flickr.com/3501/3466195120_85e46128fe_o.jpg" alt="" width="432" height="324" /></p>
<p>Two examples of a superb four-colour screenprint in progress by <a href="http://twitter.com/thesmallstakes">Jason Munn</a> of <a href="http://thesmallstakes.com/">The Small Stakes</a> design studio. Many of his prints are for sale, in limited runs, in his <a href="http://www.thesmallstakes.com/gallery.php?page=1">online shop</a>.</p>
]]></description>
			<content:encoded><![CDATA[<p><img style="border: 1px solid; color: grey;" src="http://farm4.static.flickr.com/3578/3465380119_67501c6bb3_o.jpg" alt="" width="432" height="324" /></p>
<p><img style="border: 1px solid; color: grey;" src="http://farm4.static.flickr.com/3501/3466195120_85e46128fe_o.jpg" alt="" width="432" height="324" /></p>
<p>Two examples of a superb four-colour screenprint in progress by <a href="http://twitter.com/thesmallstakes">Jason Munn</a> of <a href="http://thesmallstakes.com/">The Small Stakes</a> design studio. Many of his prints are for sale, in limited runs, in his <a href="http://www.thesmallstakes.com/gallery.php?page=1">online shop</a>.</p>
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